As some of you may or may not know, I’ve been writing a concept album about the actual Transit of Venus.  The one that this project is named after.

If this requires a bit of back-story, here it is in brief.  A transit of Venus is the astronomical term for when Venus passes directly between the Earth and the Sun, a little black dot of an eclipse. (This is an ASTRONOMY thing not an astrology thing.  You’ve got no idea how often I hear “You don’t believe in astrology? But your band is called Transit of Venus!”  An easy mistake to make I guess haha)  Venus transits occur in a pattern that repeats every 243 years, with pairs of transits eight years apart separated by long gaps of 121.5 years and 105.5 years.  The last Transit of Venus was in 2004 and the next one will be this year in June.

 

You may be wondering “Is this at all interesting and why would anyone care?” so I’ll tell you why the transit of venus is interesting to me. I can’t promise it will also be interesting to you, but thats ok, you can go read your horoscope instead.

I first heard about the Transit of Venus when I was sitting in a lecture room, Auckland Uni, Physics 107 – Planets, Stars and Galaxies.  We had this certain lecturer who could sing you to sleep with his monotonous dreary rumble, no matter how interesting the subject matter was I’d find my head nodding and my breath slowing and I’d have to fight to keep my eyes open as I stared at the whiteboard.  He was talking about the Transit of Venus one particular day, we had an assignment where we had to replicate the calculations required to determine the distance from the Earth to the Sun.  He told the story of Captain James Cook.  Growing up, I’d only heard the primary-school version of the legend where a somewhat vilified Captain Cook lands in New Zealand and starts shooting people.  I’d never heard the backstory of the amazing journey of scientific discovery.  These explorers were our olden time astronauts, risking their lives for new knowledge.   The Endeavour had a botanist and an astronomer on board, their trip was about more than traveling to new countries with guns to stir up trouble.  And it annoyed me that I’d never been told about this at school.  

Anyway, there’s a lot more depth to the story of the observations of the Transit of Venus (which were necessary to calculate the distance of the earth to the sun, which itself was necessary to calculate the relative distances of everything in the solar system*) the whole of it IS quite interesting, and I’m not really a writer so I won’t blah blah blah about it too much, and will in fact wind up my little story by saying that back in 2005 I named my recording project Transit of Venus, I got an A- in that paper, and then later I dropped out of Uni because I wanted to spend more time on my main band Amperzahn and work in a music store. /Backstory

I’ve been writing a collection of songs inspired by stories related to the Transit of Venus, for a concept album I wish to release before or around June.  It’s going to be bookended by two instrumental pieces, first Evening Star, and it will end on a piece called Morning Star.  Now life being what it is, the last song on the album is the first one ready, and here it is…

 

If you like it please do share it around.

In this song I was trying to capture a feeling of wonder, trepidation, but then adventure excitement and discovery, as well as a nostalgia or sadness that this coming Transit will be the last within our lifetime. I felt morally obliged to include twinkly sounds because everyone knows stars (and yes, planets) make a twinkling noise when they sparkle***.

Adam played Drums and Bass and that instrument that is called a Brazilian Viola but looks neither Brazilian nor like a Viola. I played Piano/Keyboards and Guitar and the thing that makes a sparkly noise which I often call a marimba though it’s definitely not one.

We recorded at The Rock Factory Studio, which is always the best of fun! We finished the whole song in a day by prioritising feel over perfection. We had a picnic in a tree at the domain, which is something of a tradition now. We ate Burger Fuel, I had a Beatnik Burger. A bug flew into my mouth while I was eating it. (We should get free burgers for that plug right? Someone tell them to sponsor our band…)

And that is part of the story of the song Morning Star. I missed out the bit about planetariums but I’ll tell you that sooooooonish haha!

Bye for now,
Kristie

*Some may argue that ‘necessary’ is the wrong word and that they’ve lived their lives quite happily without ever needing to know this information, but I’d argue that all past knowledge is relevant to present and future knowledge so while you might not specifically need to know the distance from the earth to the sun, your TV** needs satellites, and satellites need space travel and space travel needs a half decent knowledge of at least the close bits of space, am I right? Do you like your TV?

** Unless you just use it for DVD’s, like the one at my place. In which case substitute Google Earth, or GPS or whatever it is you fancy that needs satellites.

***True fact, you read it here first, on the best place for all true facts; the internet.

Here is a sneak preview for Meatmarket.  This is just a premix so don’t start getting all picky on it just yet ;)

It’s 7:30am on a Saturday morning.  I resisted the urge to sleep till 11 since I have a friend coming to record some bass tracks this morning and I need time to clear the myriad of coffee cups that litter my desk.  And time to write another long overdue blog.

Drum tracking is finished, a couple of songs have all the tracking done however most are still waiting on bass.  I am trying to nail a tough guitar solo in one particular song which is giving me grief.  I mean I can play it, but I just really want to play it solidly.  I just can’t seem to get that magic take.  Vocals are done on most of the songs, bar a couple.  Robin Liu (Infinite Flying Kick) came in to record some guitar parts and brought with him a new song he’d written for the album.  I need to write vocals and other parts for that too.  A few tracks have moved on to the mixing stage.  I had planned to do the mixing myself but at this point I’m so sick to death of my own music that I really felt I needed to get a pair of outside ears in.  In fact I’m getting two pairs of outside ears with David Edtmaier of Miscreant Recordings and Michelle Klaessens from The Rock Factory doing some each.

A quick shout out to those who have contributed so far…

Mike Johns – Guitar

Tory Staples (Battle Circus) – Drums

Christina Chunks (Infinite Flying Kick) – Piano/Synths

Robin Liu (Infinite Flying Kick) – Guitar

James Dudley – Guitar, Backing Vocals

Dave Edtmaier (Miscreant) – Guitar, Bass, Mixing

Anthony Corban (The Mysterons) – Bass, Guitar (Yet to be tracked)

Harry Champion (The Exiles) – Bass

Michelle Klaessens (The Rock Factory) – Mixing, and no doubt she’ll throw in some piano and backing vocals

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This song is very much a half finished WIP.  I lost my voice last week after a cold, and when I tried to sing this on Friday I got only one terrible take done before my voice gave out again.  So I will definitely be redoing the vocals on this!

It has recently come to my attention, that there are people out there who don’t know what WIP stands for.  WIP = Work in Progress.  There you go.  I usually use the term to refer to something that isn’t finished yet, something that is in fact, a work in progress :D

I am trying out a new WordPress plug-in called Podpress.  Unlike the previous media player I’ve been using (I think it’s called Wimpy) this one should show up in the RSS feed.  I guess I’ll find out soon.







Enemy is the rewrite of the theme song I wrote for Erik Hogans game Derelict. It will soon be available for download from Amplifier, and eventually from iTunes.

Special thanks again to Michelle Klaessens (The Rock Factory) for a fabulous mastering job, Mark Towl (Stapleton) on drums, and Mike Johns (Revolution Brother) on lead guitar.

The Gear (because recording is always just an excuse to play with fun things!):

The song was entirely recorded and mixed at home in Cubase, with my ancient Tascam US122 USB interface.  I used Adobe Audition for a little wave form editing in the form of noise removal on a funny hiss from the piano (must try solve that some day).

The Drums are recorded from the line out of a Yamaha DTXpress electric drum kit – thanks to Go West Music Henderson for the loan.

The piano is a line out taken from my Yamaha CLP-230 Clavinova via a stereo headphone output

The rhythm guitar is my 1999 Ibanez RG520 (V7 and V8 pickups) played through my Peavey Triple X head and Peavey 5150 cab, which is mic’d up with an Audix OM2 dynamic mic and an Audio Technica AE6100 dynamic mic.

The lead guitar is Mikes Fender Strat played through his bizarre set-up involving an amp that’s rewired to bypass some bit of it and another external unit.  I’ll have to ask him about it sometime because I didn’t pay much attention at the time.

The vocals are me singing though an Audix OM2 straight into the interface, that was turned up to the max to get a bit of distortion going on. (In hindsight this was probably not the best way to do it! :D )

This is a new song I’ve been working on. It’s had almost ten different versions, and this is the rough of the version I’m probably going to go with. It’s almost a bit too “easy listening” for my personal tastes, but I think it’s probably the version most likely to get me in with a chance at a NZ on Air grant (Muh huh huh haaaaaa).

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© 2012 Transit of Venus Suffusion theme by Sayontan Sinha